L’Ateliers des Lumières: Digital Art in Paris

Before arriving in Paris in October, I’d heard quite a bit about the newly opened digital art museum, L’Ateliers des Lumières, and so it was definitely high on my list of places to visit.

Once we arrived, my traveling companions, Thom and Eric, and I went online to check it out. We noticed right away that weekends were sold out. We also realized that it would be best to book in advance, purchasing our tickets online to avoid the potentially long lines waiting to buy tickets onsite.

Digital art has been appearing with more frequency in the past few years. 

From November 2017 to April 2018, the Tate Modern presented the Modigliani exhibit. In addition to 100 of Amedeo Modigliani’s iconic portraits, nudes and sculptures, the Tate paired the exhibition with The Ochre Atelier, a Virtual Reality tour of the artist’s studio in Paris. The seated experience enabled visitors to listen to narrated accounts from the artist’s friends and Tate’s experts while exploring the more than 60 objects authentically modeled by 3D artists.

Modigliani’s Paris Studio in VR at the Tate Modern (Courtesy Preloaded)

However, the digital art museum or, in the case of Paris, ‘workshop,’ which is the direct translation of atelier, is a fairly new concept. 

L’Ateliers des Lumières, located in the 11th Arr., opened in April 2018 with three presentations: Gustav Klimt, Hundertwasser and the contemporary installation, Poetic_AI. 

Klimt artwork as it unfolds as digital art.

Along with our Parisian friend, Sandrine, who met us at our flat on a beautiful, warm Wednesday, we walk the short distance to the museum to arrive by our 12:30 entry time. There were two long lines, one for those with tickets and the other, much longer line, for those wishing to purchase them. Sandrine mentioned that it was good that we had our tickets as she read that the 12:30 exposition was complet (full). 

We enter the building quickly and move through the ticketing area. With my phone in hand, I scan the ticket codes for each of us and we move through the turnstile. 

The museum is operated by Culturespaces, a French museum foundation specializing in immersive art displays, and housed in a former foundry. The Chemin-Vert foundry dates to 1835, when it was established by the Plichon brothers to make high quality cast iron parts for the railroad and the navy. The family-owned foundry closed in 1929, and was purchased by the Martin family in 1935. The foundry was used to manufacture machine tools until the Martins’ moved their company in 2000. 

In 2013, on the heels of the successful opening of the Carrières de Lumières in Les Baux de Provence, the president of Culturespaces discovered the unoccupied foundry. The Martin family was enthusiastic about the concept of creating a center for digital art in Paris, and agreed to rent the space.

Carrières presentation of 16th century artists: Bosch, Brueghel and Arcimboldo.

As we enter the main hall of the exhibit, we find a concrete floor on which many people are sitting around its edges. We walk to the center and looking to the right, we can see around a corner, and to the left at the far end, there’s a stairway with a viewing platform partway up the wall. There’s a large round column off to one side. The ceiling appears to be about 25 feet high.

We decide this might be a good place to begin our viewing, and suddenly, the lights in the room go out. The first presentation, Poetic_AI, prepares us for what lies ahead through a series of black and white lines, drops, circles, numbers and flashing bright lights. From the floors to the ceilings, the images move and swirl, fading into and out of each other. They fall off the walls and travel across the floor. It’s stark, mystifying and mesmerizing, with the visitor as interloper in the midst of the magic. We stand enthralled, turning this way and that and even in circles to capture the essence of the event. We hold out our hands and find the images covering our skin and think, “We’ve become a part of the artwork.”

An example of the Poetic_AI presentation.

This presentation ends and the lights come up, but remain dim. 

The Gustav Klimt presentation begins as we walk around to experience another view. I’ve always been rather enthralled with this Austrian artist who seemed to combine surrealism and realism with the beauty of art nouveau in his gilded portraits of women. The images flowing across the canvas of this foundry are enthralling. As the shapes draw themselves out, they appear to come alive, all while pulling you into the midst of the painting as if you belonged there. The colors are bright and bold, the golds and yellows reflecting like a sunburst.

Klimt: The golden tears of Freyja

These images are put into motion by 140 laser projectors. One would think the use of this digital medium of algorithms and mensuration would appear a bit discordant, but the beauty and awe are captivating, drawing us into the artists’ universe and immersing us in this fantastical aesthetic experience. 

The final Hundertwasser presentation does not disappoint. Its beautiful bold colors and shapes draw gardens of superior beauty and gracefulness. 

An image from the Hundertwasser presentation

The experience is one where you could stand, walk or sit at various places throughout the building and see changes in the shapes and flow of the images. It’s at once, calming and emotional.

After our visit to the Ateliers des Lumières, I was sharing my experience with some friends, and one suggested I check out the new digital art museum in Tokyo by teamLab*Borderless. I checked their website and agree that it would definitely be worth the trip.

This new type of museum is inspiring and reaches an entirely new generation of artists. As it expands to other countries, it will be fascinating to see where it leads.

Paris and autumn’s lavish brush

As the days fall away, so too do the leaves of autumn.

Relaxing mornings spent with strong coffee and fresh, flaky, buttery croissants heated in the oven and pulled apart to top with marmalade have been our norm since arriving in Paris in early October. 

But on a day that’s destined to be the warmest so far (79F/26C), we venture out as the sun’s rays touch the white stone architecture of the city and Paris awakens. The streets are still damp from the coolness of the evening and the softness of the morning light creates a sense of newness. 

Thom, Eric and I are off to Le Pure Café in the 11th Arr. It’s a lovely morning for a walk and we find some wonderful cobblestone streets with interesting restaurants and shops that beg us to take short detours.

Restaurants and shops along a side street

Not too far from the Place de la Bastille at 14 Rue Jean-Macé, Le Pure Café is situated away from the hustle and bustle of traffic, yet well positioned on a corner between two side streets. 

Le Pure Café

A series of proprietors have maintained its 1930s vintage decor where you can sit at an outdoor table or find a cozy spot inside. The ambience, with its old-fashioned signboard, flare lamps and mosaic tiles pulls you back to a previous time in Paris. The rather distinguished zinc bar would be a nice place to sit with a glass of wine. 

Vintage zinc bar

On this day, we take a table inside and discover that they don’t actually serve breakfast. However, they have one croissant and one tartine that we’re able to purchase. We decide it was probably the breakfast set aside for the waiter, who may actually be the proprietor, as he appears to be the only worker in the café. The coffee is good and we’re thankful for the small bite that we share between the three of us.

A gentleman sits at the counter, his small, white Lasa sits atop, its head sticking out of a black carrying case as he closely watches the activity taking place around him. Other customers sip coffee and read newspapers, books, or chat amiably with their companions. 

Large windows encircle the room where the morning light adds to the ambiance. I pause for a moment and think, “My TimeWalker friend would love this place.”

The location and the café’s vibe has been a draw for the film industry as well. It’s been featured in the French films Le code a changé and Les Infidèles, but possibly the most famous example is Before Sunset, where Julie Delpy and Ethan Hawke’s Parisian time together is brought to an end.

At our end, we decide to wander the area around the Bastille. We had wanted to go underground into the Bastille’s crypt, however, as we’ve discovered on several occasions during this visit, it, too, is in the midst of renovation with a 2020 scheduled opening.

Side street near the Bastille

Meandering through the streets, we find some lovely back streets and come out in the 12th Arr near the Viaduc des Arts. 

Studios and shops dedicated to arts and crafts

The viaduct, located just east of the Opéra Bastille, was built in the 19th century to support the Paris / Bastille-Varenne railway line inaugurated in 1859 and closed a century later with the opening of the RER A. Between 1990 and 2000, the vaults of the viaduct were restored as arts and crafts studios and shops. There are more than 50 artisans located here creating and presenting their designs in support of innovation and creativity. You’ll find restaurants as well as workshops, showrooms, shops and galleries.

Above the Viaduc des Arts, along the old railway, sits the Promenade Plantée also known as the Coulée verte René-Dumont. This nearly three mile elevated park opened in 1993.

Bamboo archway along the Promenade Plantée

The Promenade Plantée also appears in the film Before Sunset.

Since breakfast was slight, after perusing the shops, we decide to stop at a boulangerie for sandwiches and an impromptu picnic above the city. The trees have grown substantially since our last visit here in 2014.

The park above Paris

It was a lovely day as the lavish brush of autumn continues to color the city. The weather has remained very warm for this October with only one day of rain. We’re taking advantage of this with long walks through the beautiful neighborhoods of Paris.

Autumn in Paris

April in Paris is a remarkable time when new leaves are coming out and the spring sunshine begins to lure the flowers from their sleep. As the days brighten and the rain comes, warmer days beckon you outdoors and into parks and walking paths.

October is like April in reverse. Flowers are blooming, although the variety has changed. The leaves on the trees are darker and older and are thinking about their upcoming change.

Walking through the streets of Paris, you see the shadows lengthen and wish you’d have thought to bring a hat or a scarf to fend off the chill. Then you stop for lunch at a sidewalk café and by mid-afternoon you’re thinking of taking off your jacket.  

With a month in front of us, and many visits to Paris behind us, we focus on destinations not listed in visitor guides. We talk to locals about where they shop and places they love to help us determine out-of-the-way locations. 

We’ve chosen a flat in the 10th Arr, three blocks northwest of the Place de la République. It places us north of the main tourist sites and further into local territory. We’re shopping at markets and stopping at cafés where fewer workers speak English. It provides us with an excellent opportunity to improve our French.

Our first major food shopping excursion takes us to the Marché Saint Quinten just off of Bd Magenta where vegetables for the week cost us €11,20. 

Canal Saint Martin

On a warm sunny day during the early part of our visit, we set out for the Canal Saint Martin, located just a few short blocks from our flat. This early 19th century waterway was ordered by Napoleon I to supply Paris with fresh water. Canal boats also brought freight as well as food into the city. The canal links the Seine, just behind Notre-Dame cathedral and ends at the Parc de la Villette. The street that runs along the canal is lined with Chestnut trees, and elegant footbridges enable you to cross over to the other side. Locks are present where needed to allow the boats to traverse beneath the cast iron footbridges.

Canal St Martin

Canal Saint Martin

Cafés, art galleries, boutiques and funky shops line the streets on the western bank of the canal, although not too many tourists can be found. Mallards swim casually through the water as people sit alongside reading books or eating lunch.

We stop at La Grisette, a lovely little café for escargots and pizza. You may think this an odd choice, but my friends from Taiwan don’t have many opportunities to enjoy pizza, so that’s our lunch on this fine day.

If you cross over to the east side, you can follow Avenue Richerand to the Hôpital St Louis. Erected in the 17th century to house plague victims in isolation from the rest of the city, it has a lovely, large and elegant square hidden on the grounds. We take advantage of the detour and discover that the square is hidden quite well. Being a rather formidable hospital, it takes us awhile just to find an open entrance to the grounds. But we persevere and eventually find our way inside the square with its wonderful large, old trees and beautiful circular garden in the center. Rather nice, actually.

Hidden square in Hôpital St Louis

Hidden square in Hôpital St Louis

Revisiting some favorites …

Of course, there are always favorite places in Paris that we just can’t miss. 

Butte-aux-Cailles

Located in the 13th Arr a short walk down Rue Bobillot from the Place d’Italie, this area used to be a separate village outside of Paris. Cobblestone streets and smaller private homes with modest gardens offer a less urban feel in an area more intimate in scale.

We stop first at one of my favorite Paris jewelry shops, L’Argenterie (5 Rue de la Butte aux Cailles) before heading to Chez Gladines (30 Rue des cinq Diamants) for a wonderful Basque-style lunch. 

Chez Gladines

Chez Gladines, Basque restaurant in Butte-aux-Cailles

Other restaurants along Rue de la Butte aux Cailles include Le Temps des Cerises, an old-fashioned workers’ co-op popular with the locals at #18 and at #13, you’ll find the Taverne de la Butte as well as Des Crêpes et des Cailles.

As you wander through this village-like setting, make sure you head down the cobblestone passage Barrault off of Rue des cinq Diamants and turn right at the end heading up to Bd Auguste Blanqui to the outdoor market with its tempting array of produce, cheese and other traditional French fare. The market is open on Tuesday, Friday and Sunday.

Le Marais

There are several places in the 5th Arr on our list to visit during this trip. On a beautiful, sunny afternoon, we walk from the Place de la République down the Bd du Temple into the Marais.  

We’re interested in visiting the Musée Carnavalet, listed as the “oldest of the municipal museums” and containing the historical legacy of Paris. While essentially a history museum, we’ve read information about it that states that it’s an art gallery exhibiting mostly original works “in keeping with the genius of Paris.” With beautiful gardens and rooms filled with historical furnishings, the Musée Carnavalet sounds like a wonderful stop on a sunny afternoon. 

Perhaps, though, we should have checked their website before walking here, as the museum, located in two town houses, is currently in the midst of a major renovation that will not be completed until the end of 2019. So, we shall keep it on our list for a future visit.

Not to be deterred, we continue on in our quest to view other places in this area previously not seen. Walking further, we stop along Rue Francois-Miron in front of two of the oldest houses in Paris. The buildings, constructed in the 14th century are half-timbered former inns. In this city of stone, they are rather remarkable in their uniqueness.

Half-timbered 14th century houses

14th century former inns

A short walk later, we arrive at the Musée des Arts et Métiers, a rather amazing and very large museum partly housed in a very old church complete with stained glass windows. Dedicated to technological achievements, scientific instruments and industrial design, complete with renditions of famous bridges, automobiles, computers, cameras and the like, the vast quantity of objects makes for a fascinating tour. In the church, there’s a bi-plane hanging from the ceiling of the dome and a Foucault Pendulum swinging slowly in the entranceway demonstrating the rotation of the Earth.

Musée des Arts et Métiers

Entrance to Musée des Arts et Métiers

October is proving to be a lovely time of year in Paris. The temperatures have been cool in the mornings and in the low to mid-70s by mid-afternoon. The trees are just beginning to change and it’s a wonderful time to walk around the city.

Picture Perfect: St Ives

Nestled in the hillside of the rugged Cornish coast is the picturesque town of St Ives. Curving majestically out to sea, its landscape lined with cottages, its shoreline dotted with colorful boats of all sizes, it beckons you to walk her cobblestone streets and climb her wind-worn hills.

Boats in the harbor

Boats in the harbor at low tide

Before leaving for this trip, my friend, Colleen, suggested I connect with her cousin, Doreen, while I was in Cornwall. So after contacting Doreen, Mark and I walk the short distance from our cottage to the bus depot in Penzance for the 30 minute ride to St Ives.

The bus ride through the rolling hills and valleys of the English countryside is ripe with opportunities for photos, but our ‘drive-bys’ just can’t capture the beauty of this mystical land.

The St Ives bus depot is perched high above the bay providing a perfect opportunity to see the curving Southeast tip of the town as it juts elegantly into the sea. On the other side of the hillside, you can see the vastness of the Celtic Sea in all its splendor.

A hazy day in St Ives

A hazy day in St Ives

Doreen’s daughter, Janine arrives, walks over to us and asks, “Are you American?” I wasn’t expecting anyone quite so young, so after a bit of confusion, we begin our adventure and meet Doreen part way down the hill on our way into town.

Doreen has lived in St Ives for several decades, first in a cottage in town and now on its edge. As we walk arm-in-arm through winding back streets, past shops not yet open on this cold and windy Saturday morning, Doreen shares the town’s history and her story. It’s easy to see why she settled here and why she stays!

Winding street in St Ives

Winding street in St Ives

We arrive on the far side of town at a beach called Porthmeor. The sea moves from a pale green closer to shore, to a light shade of blue on this overcast day. As it touches the sky, the colors blur and except for the occasional darker blue hue, it’s difficult to discern the horizon where the Celtic Sea becomes the Atlantic Ocean.

An open-air cafe sits perched above the white sand beach surrounded by glass shielding its occupants from the wind coming off the surf. Colorful cabanas add to the ambiance.

Cabanas at the beach

Cabanas at the beach

The St Ives Surf School is holding court, decked out in bright yellow like a sunflower opening its petals toward the ocean waves. The students are paying close attention to the master as the waves lick the shoreline, begging them to grab their boards and enter the aquamarine world.

St Ives Surf School in session

St Ives Surf School in session

We head toward the island at the tip of St Ives. “The island” is not really an island, as it’s firmly attached to the mainland, however, it is surrounded on three sides by the sea. Sitting on top is  St Nicholas Chapel, dating to Medieval times.

Walking up the hill, precariously close to the rocky edge, we move around and up until we reach a fork in the path. The rocks are splattered with orange and golden lichens. Small pink, yellow and white wildflowers dot the landscape, appearing in the crops of grass and wherever they’ve managed to hang on. Sea birds fly and hang in mid-air, taking the up-drafts and diving into the sea.

Wildflowers at the rocky edge of "The Island"

Wildflowers at the rocky edge of “The Island”

Doreen and I continue around the island to the harbor side, while Mark and Janine continue up the hill to get a closer look at the one room granite chapel, stoically looking out to sea. Later, Doreen will tell us tales of how pirates used to land on the island, hiding their loot in caves to be transported inland, while the chapel was used as a lookout in an effort to prevent the smugglers from gaining access.

St Nicholas Chapel

St Nicholas Chapel

We wait for Mark and Janine and then head back down to the town, passing by the small protected Bamaluz Beach, past shops and rental cottages to the harbor, where we stop for lunch at the Lifeboat Inn.

Harbor with life boats

Harbor with life boats

Historically, St Ives was a fishing village. Today, it’s an artist community, the transition occurring around the time the fishing industry was declining and the new railway provided easier access. Artists came for the light and beauty of this village by the sea.

After a great lunch, we meander through the cobblestone streets and back alleys, wandering up and down the hills, gazing into shops and small gardens, tucked away in interesting places. We visit several art galleries, our favorite being the New Craftsman Gallery on Fore Street, where I admire a number of works by artist, Emma Jeffryes, and Mark purchases a couple of paintings.

A war memorial garden in St Ives

A war memorial garden in St Ives

It’s clear we could spend more time here, but we have plans for the evening, and so we say our farewells to our lovely new friends and catch the bus back to Penzance.

With its history, charm and beauty, combined with its many galleries, including the Tate opened by H.R.H. Prince Charles in 1993, we can see why St Ives is such a great tourist destination and why Doreen has spent so many wonderful years in this picture perfect place!